• Publishers
  • Learn
  • Blog
  • About
  • Contact
Menu

Kadaxis

139 Fulton Street, #703
New York, New York
Tools for Book Discovery and Marketing

​You're Custom Text Here

Kadaxis

  • Publishers
  • Learn
  • Blog
  • About
  • Contact

Lessons Learned From Working With Authors on Book Marketing

August 16, 2021 Hayley Zelda
andrew-neel-cckf4TsHAuw-unsplash.jpg

You’ve completed your book, edited it, and designed the cover. Now, you’re ready to promote . The good news? The Internet has made it easier than ever to market your book and get your name out there. The bad news? The Internet is a big place, and it’s hard to know exactly where to start. The following online promotion strategies can help.

1. Optimize your website.

Setting up a website for yourself, as an author, and/or for your book is a basic step in online promotions. Make sure you optimize it though. One way to do so is buying your domain name, which should be your pen name or book title. You should also pay for web hosting. When choosing a host, go for a service provider that makes it easy to add relevant metadata in your site. Those metadata should contain keywords that potential readers use when looking for books in their favorite genre.

So many authors I work with have a website but don’t go deep enough on the technical end of setting up the website with title tags, html structure, and meta tags that allow the pages to get indexed on Google and gain organic traffic from Google.

All other marketing you do will just provide more signals to Google that your website is an “authority” and help grow traffic and build your email lists (which can also be  set up on your site). If you haven’t built an email list before, this guide might be helpful.

2. Utilize Author Groups.

Never underestimate the benefits of having a network of writing and publishing professionals. These people can help you improve your craft and turn it into a profitable career. 

You can create and expand your network by joining online groups for authors and publishers. In these groups, you can discover upcoming releases, share blog ideas and learn other marketing tactics from your fellows.

Be selective about which Facebook group for writers you join and which members you connect with. Choose online communities that offer quality advice. As for members, find those you can collaborate with, especially in book promotions. In that way, both parties benefit from the endeavor.

Perhaps you are already part of many author groups. However, the real trick to making these groups work for marketing is via partnerships. Ask in the group if other authors are willing to partner with you on giveaways or bundles, especially authors in the same or adjacent genres. Then, using your combined email lists and social media connections, you can drive huge reach and sales by coming together and creating a bundle of your books. We’ve done this with great success for a number of authors we’ve worked with.

It’s important that authors taking part have some built-in audience already, otherwise you won’t be promoting to anybody. It works best with people with similar audiences.

3. Gain exposure through book giveaways.

Goodreads Giveaways is a great starting point to dabble into book giveaways if you’re just starting out or don’t want to do a lot of heavy lifting. Goodreads attracts millions of views each month. When you sponsor a giveaway, your book and free offer are advertised on the platform and marketing emails. This has great reaching potential.

The best way to do a giveaway is via social media. This requires an existing social media audience who likes your books. If you have an audience, you can ask people to “compete” for entries by tagging friends, inviting friends to participate, and more. This can help you take an audience of 2k and multiply it to reach 10k. We’ve seen even bigger results with some campaigns.

Don’t just leave everything to the site though. Promote your giveaway on your social media pages, too. Feature it on your website or blog. If you have an account on Wattpad, Tumblr or Commaful, you can announce it there, too. Place posters at nearby libraries and cafés as well. 

The more creative you get with giveaways, the better the results.

4. Get into guest blogging and blog tours. 

Guest blogging and blog tours are pretty commonly done and most authors I work with know how to do them already.

The best tip I can share is to start small and niche if you’re not well-known yet. For example, Wired for Youth is an easy target if you’re writing a nonfiction book. They clearly have traffic and they’re still updating the blog, but they’re still small and would be an easy target to land an interview or post on. Start small, build up momentum, and then once you have some reputation, use early interviews as examples to pitch larger blogs. For best results, you should pitch on blogs or sites that have a sizable audience. I’ve had authors start with tiny blogs and end up in places like the Huffington Post.

Guest blogs and blog tours do two main things for you. First, they help build credibility for you when people Google your name and your book. The posts will show up and prove you’re legit. Because you are targeting specific niche blogs, you will also build a good targeted audience from the posts as well.

It’s a great way to build some reputation and start a flywheel effect for yourself when you do it early on.

5. Run a book launch party.

Book launches are events designed to kick off your book release, hold your readers captive, and ultimately give them a good feeling about your work. They’re also a great opportunity to get your friends and family invested in your creation. More importantly, they help you sell copies.

People think these are a gimmick and often skip the launch party. If done right, the launch party is actually huge for morale and makes it feel real for authors. Don’t do it right when the book launches. The trick is to do it when you have some local followers already.

This is fun, gets fans involved and builds community.

6. Utilize Twitter To Connect With Readers

Twitter is a great way to build an audience and build your network. There are a few ways to utilize Twitter, depending on the genre you’re targeting.

To come up with Tweet ideas, study popular influencers in your genre. If you’re writing YA, for example, study popular YA writers. You can search popular hashtags used within YA to find these influencers, like #YALit or #YoungAdult.

Studying popular writers in the niche will inform you of what the audience wants to see. Learn from the best and try to emulate the tweets that work well, but with your own ideas and your own unique spin.

If you already have an engaged audience on Twitter, you should start seeing immediate results. If you don’t have an audience yet, your initial tweets will be going into a void. The easiest way to build an initial audience is to regularly engage with influencers in your genre. Vary who you reply to, you don’t want to just engage with the top influencers, but also up-and-coming influencers. By adding value in these tweets, you’ll begin to get noticed by their audience and thus build your own. This doesn’t happen overnight.

Consistency is the key to Twitter.

7. Start collecting leads for your next book. 

Running a marketing campaign has two stages: before and after release. If you’re working on a series, you can treat your current promotional period as an opportunity to market your current release as well as the following one. 

After your first novel is published, plan a book tour, a Facebook ad campaign, a sponsored story, or a video about the theme of your book. If you’ve written a social issue book, speak out on your social media profiles about topics relevant to your book. 

Given the current limitations of what is available to attend in-person due to the pandemic, consider hosting online events about your book. These may include utilizing Zoom, or other live platforms within social media. Another option could be to request a guest spot on a current online event from one of your contacts, or reaching out to another event organizer in your genre.

Depending on the restrictions in your location, consider attending live events about your book. These may include reading at a bookstore, hosting a film screening, making an in-person talk at schools or having a conversation night at a local bar.

This is going to be a long process. Thus, you should stay visible and open to anything you can do for your book once it’s published.

Online promotion strategies work effectively when they’re collaborative. Don’t be afraid to reach out to your loved ones, fellow writers and industry professionals for help. 

Hayley Zelda is a writer and marketer at heart. She's written on all the major writing platforms and worked with a number of self-published authors on marketing books to the YA audience.

Tags book marketing, social media marketing, authors, author platform, book discovery, YA, fiction writing

Why Keywords Are So Important

May 21, 2015 Chris Sim

View image | gettyimages.com

Crafting effective keywords to add to a book's metadata, could be one of the highest return marketing activities to increase online sales potential. This post examines why keywords are so important, and how they affect discovery on Amazon.

Let's break the logic down:
• Amazon is the biggest bookseller in the world.
• Around two thirds of online book sales are made through Amazon.
• Search is how most customers find products on Amazon.
• Keywords directly influence a book's visibility in Amazon's product search.

In Amazon's own words (link requires a seller central login):

Search is the primary way that customers use to locate products on Amazon. Customers search by entering keywords, which are matched against the search terms you enter for a product. Well-chosen search terms increase a product's visibility and sales. The number of views for a product detail page can increase significantly by adding just one additional search term—if it's a relevant and compelling term.

We differentiate between keywords derived from web page text (Google, Bing, etc.) and keywords added to a book's metadata for consumption by a book retailer (Amazon, Barnes & Noble). Web search engines crawl web pages to derive keywords and concepts, to help users find information. Book product search engines consume book metadata (which includes keywords), provided by the publisher or author, and help customers find books to purchase.

As Google's executive chairman, Eric Schmidt lamented:

People don’t think of Amazon as search, but if you are looking for something to buy, you are more often than not looking for it on Amazon.

Why can't the machines just figure it all out?

So why the difference between a web and a book (product) search engine? Why can't Amazon read a book's text to figure out what to index, just like Google crawls a web page? There are two core reasons for this:

1. Human classification beats machine classification, when done properly. People are better at describing books, in terms other people relate to, than machines. The technology exists to understand the topical content of a book (we know, we've built it), but for a product search engine, it's more effective for Amazon to put the burden of describing a book in keywords, onto the author or publisher. The author/publisher, in turn, has a strong incentive to increase their book's discoverability in search.

2. It's easier for Amazon to do. Pretend you're a technical superstar tasked with building a search engine for millions of books. What solution do you think would be easier to build? One where you had to index 5-20 human curated keywords that describe each book, or one where you had to index tens (or hundreds) of thousands of words per book to find out what it's about? Leveraging an incentivised crowd to manually add descriptive terms in a structured format, is a much smarter and technically simpler solution.

Isn't it a search engine, not a discovery engine?

View image | gettyimages.com

It has been said that search is not discovery, but this perspective doesn't consider the complex task search engine's undertake to discern user intent (we've talked about the different user intents when searching before). Let's look at the distinction between book discovery and book search (within the context of a search engine), and how different elements of metadata support different user intents:

Book Search


Searching for a specific book or title supports a customer who has 'discovered' a book through another channel, and is simply visiting a book retailer to purchase the book. In this case, the user intent is obvious, and the implementation is a basic, nuts and bolts 'search' engine. As a publisher or author, you really don't have much to do to optimize for this use case. Your book title and author (contributor) name is specified in the metadata. The engine performs a simple match for these fields to a customer's search query. This is why there is no need to include book title and author name in your keywords.

Book Discovery


Book discovery, in the context of a 'search' engine supports many cases of different user intent, where a customer isn't searching for a specific book. The engine helps the customer discover books that satisfy their query. For example, customers might use a book search engine to discover:
• a new book to read in their favorite genre ('contemporary romance new releases')
• a book to learn about a trending topic ('books about the islamic state')
• a book to solve a problem ('back pain')

The metadata that directly influences book discovery on Amazon search are keywords.

Cases exist where subtitles and category names impact discovery, but keywords are designed for, and have a direct relation to book discovery. Other discovery mechanisms also exist, of course, such as bestseller lists and item-to-item similarity recommendations, but these are often outside of the control of an author/publisher.

Codifying how customers think about books

View image | gettyimages.com

Amazon categories are influenced by the way customers naturally group books together, and how they express these categorizations when searching for books. Book categories are continually refined to adapt to shifts in customers' tastes and collective interests. Books are categorized by manually curated metadata (BISAC or Browse Node - Amazon's equivalent of a category), as well as by analyzing a book's keywords. Many categories need a book to be associated with certain keywords, in order for it to qualify for the category. Analyzing the Science, Fiction and Fantasy category requirements we'll see keywords such as: angels, demons, dragons, vampire, aliens, horror and magic. These are all broad, book discovery terms that are designed to satisfy users looking to find books by search terms other than title and author.

There is a clear link between how customers mentally label and group books, and how they express their intent when trying to find books. Amazon attempts to replicate this organization via it's search engine and associated categorical data. By using the language and terms customers actively use to search for books, it can more accurately answer book queries at scale.

The bulk of the complexity of a successful book search engine, lies not in basic title/author matching, but in deciphering a user's intent when broad terms are used for discovery. Helping a customer find and purchase a book when they're unsure of exactly what they're looking for, is big business.

After all, the 'search experience team' believe it's about "finding, not searching".

Do readers even discover new books through search?

Unless you have access to internal search query and purchase data from a major online retailer, it's not possible to make an absolute assertion one way or the other. So let's consider some visible signals:

The industry believes so

The BISG has created a working group dedicated purely to defining best practices for keywords in book metadata. These keywords (in almost all cases) are curated by a person, to be stored with the rest of the book's metadata, and used by retailers (such as Amazon and Barnes & Noble) to help consumers find books. These are not the keywords that web search engines, such as Google, extract from the content of book descriptions on product pages.

This working group has published a guide for publishers to use when defining keywords, which is available for download (via free registration). A summary, that doesn't require registration, is also available.

The group comprises members from all the publishing service provider heavyweights (Ingram, Bowker, etc.), all big five publishers (plus many others), Library of Congress, Barnes & Noble and also Amazon.

Most large publishers have also allocated in-house resources (of varying expertise) specifically to curating keywords for their books.

Amazon has invested heavily in Search and Sales Business Intelligence

Access to this data is only available to a small number of organizations that sell a lot online, through a product called Amazon Retail Analytics (ARA). It's goal is to help vendors optimize their product listings to sell more, largely through data optimization for search. Here's a screenshot.

ARA provides publishers with data on how often keywords are searched for (volume), click through rates and conversion rates. It has it's limits, but is far more information than most smaller publishers and independent authors have access to.

When considering the investment and focus the publishing industry has dedicated to keywords, which are created for the sole purpose of helping consumers find books - it's challenging to dismiss the vital role they perform in selling books online.

A sales panacea?

Will the perfect keywords alone magically whisk a book to the bestsellers list? No. The fundamentals need to be executed well, which results in a quality, professional product with market demand. Quality can't be faked over the long term, and short term hacks won't lead to sustainable ongoing sales.

Effective keywords increase a book's chance of being located by the right customer, and help augment success achieved through other marketing channels. While keywords can increase a book's exposure, whether a customer discovers a quality book or not, will ultimately be represented by unit sales and reviews.

Conclusion

We've analyzed how keywords work and why they're important - which is to help sell more books in the marketplace where most books are sold. The industry acknowledges the importance of this correlation, as evidenced by its focus and investment in keyword standardization and dedication of resources (at publisher and retailer level). Yet most authors and publishers don't create effective keywords for their books or update them very often. Compared to the effort and resources involved in publishing a title, a well-implemented keyword strategy can be one of the highest ROI marketing activities for a book. In many cases, this represents a strong, currently missed, opportunity for increased book discovery.

Sign-up for Author Checkpoint and find keywords for any book.

Tags amazon, keywords, book discovery, metadata

blog

Mostly AI and Books

Blog
The Emotional Frontier: How AI is Revolutionizing the Way We Express and Understand Sentiment Through the Written Word
about a year ago

Does your book have the right keywords? Buy here